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Affiliation(s)

University of Shanghai for Science and Technology, Shanghai, China

ABSTRACT

Foxes are highly representative supernatural entities in Sino-Japanese classical literature. This paper compares fox imagery in the Chinese Taiping Guangji and the Japanese Konjaku Monogatarishu to examine how both traditions depict otherworldly entities across three dimensions: inter-species romance, human-fox conflicts, and the construction of divinity. In Taiping Guangji, foxes are highly anthropomorphized and socialized; they mirror patriarchal ethics and integrate into secular bureaucracies. Conversely, foxes in Konjaku Monogatarishu retain their animalistic instincts on the margins of human society, often functioning as mediums to demonstrate Buddhist karmic retribution or highlight human dominance. This comparative analysis elucidates the distinct narrative trajectories of fox tales in China and Japan, enriching the cross-cultural study of otherworldly literature.

KEYWORDS

Taiping Guangji, Konjaku Monogatarishu, fox imagery, Sino-Japanese comparison

Cite this paper

Journal of Literature and Art Studies, July 2026, Vol. 16, No. 7, 584-592

References

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Zheng, Y. M. (2020). Huli bianshentan de Zhong Ri bijiao yanjiu [A Sino-Japanese comparative study of fox transformation tales] (Master’s thesis, Beijing Foreign Studies University, 2020).

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