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A Comparative Study on the Image of Foxes in Taiping Guangji and Konjaku Monogatarishu
TONG Peiran
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DOI:10.17265/2159-5836/2026.07.003
University of Shanghai for Science and Technology, Shanghai, China
Foxes are highly representative supernatural entities in Sino-Japanese classical literature. This paper compares fox imagery in the Chinese Taiping Guangji and the Japanese Konjaku Monogatarishu to examine how both traditions depict otherworldly entities across three dimensions: inter-species romance, human-fox conflicts, and the construction of divinity. In Taiping Guangji, foxes are highly anthropomorphized and socialized; they mirror patriarchal ethics and integrate into secular bureaucracies. Conversely, foxes in Konjaku Monogatarishu retain their animalistic instincts on the margins of human society, often functioning as mediums to demonstrate Buddhist karmic retribution or highlight human dominance. This comparative analysis elucidates the distinct narrative trajectories of fox tales in China and Japan, enriching the cross-cultural study of otherworldly literature.
Taiping Guangji, Konjaku Monogatarishu, fox imagery, Sino-Japanese comparison
Journal of Literature and Art Studies, July 2026, Vol. 16, No. 7, 584-592
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